Acrylic Pour Techniques - A Guide to Several Fluid Painting Strategies

Acrylic pouring techniques allow you to use high-fluidity paint in various ways on any canvas or other support material. The fascinating fluid painting technique is highly seductive, and the many methods might result in drastically varied outcomes. The following lesson will show and describe several acrylic pouring strategies and their usage in detail.

What Is Acrylic Pouring, and How Does It Work?

Let’s look at the fluid painting approach known as acrylic pouring. We first combine our various acrylic hues with a pouring medium before applying paint to the canvas surface. You apply paint by pouring it straight onto the canvas without using a brush. The flow of the color may be altered by moving the point from which you are dispensing it.

Fluid painting may be done by anyone, regardless of skill or experience, thanks to the magic of the liquid medium. All you need is some free time and suitable materials to get lost in this joyful, creative process. There are various paint pouring methods for pouring your fluid art painting, and we go through all of them in-depth in the article below.

Are you just getting started with acrylic pours? Please look at our guide to acrylic pouring before you continue reading. You’ll also need different supplies for each of the pouring methods described in this fluid art painting tutorial, which can be found in the article above.

Acrylic Pouring Techniques

Acrylic painting ideas may be customized by switching out the color of the acrylic pours and one or more colors in particular. Individual acrylic pouring processes have their own quirks that must be learned before producing unique works of art with them.

Make sure you are familiar with the finer aspects of each step of every technique you’re attempting rather than blindly following instructions while you work. This will help minimize the number of mistakes, ensuring that all errors are due to lessons in your bright designs. The list of methods below will demonstrate how to do pour painting and provide you a starting point whether or not you have prior experience with fluid painting.

Puddle Pour

Puddle pouring is another form of painting that involves layering paint in order. Each distinct color must be poured on the canvas one at a time. To allow subsequent colors to compliment the last, choose the foundation color carefully.

Combine the paints separately, combining each with a pouring medium (such as Liquitex) and water using an approximate ratio of one part color, one part medium, and less than one part water (1:1:<1), which may be adjusted to the desired consistency. Add two or three drops of silicone oil to each color for improved cell formation.
The painter begins with one color in a step-by-step approach and then works his way down the palette until they reach white.
The picture is then tilted back and forth repeatedly to allow the paint to flow smoothly over its surface. The application of this method determines the end result’s individuality.

Dirty Pour

A dirty pour painting technique entails combining all colors into the same container before pouring them onto the canvas.

Add the colors to a mixing container in equal quantities and combine them with water, utilizing an approximate proportion of 1:1:<1. For better cell development, add a few drops of silicone oil to each color.
Each color is individually combined then added to the same vessel.
To allow the colors to blend, stir this last combination ever so slightly.
Allow the canvas to dry for 24 hours.
Then, repeatedly turn the canvas until the paint has an equal chance to run across the surface. The way you tilt the canvas will influence the appearance of your completed piece.

Flip Cup

A flip cup is one type of dirty pour painting. This method, known as messy pour painting, has a similar approach to clean pour painting. On the other hand, the paint mixture must be put on the canvas and then lifted away from it to allow the colors’ layers to be more tightly interwoven.

Combine each color in a separate container, then mix them together with water and a pouring medium in a 1:1:<1 ratio. To enhance the cell formation, add two to three drops of silicone oil to each color combination.
Each color is combined in a separate vessel before being poured into the same container.
The container should be placed upright on the canvas surface.
Raise the container from the surface of the painting.
If you need more cells, use a heat gun, Bunsen burner, or a hot-air dryer to hover above the canvas for a few seconds.
If you’re still having trouble after reading through the above steps, make sure to check out this tutorial for some helpful hints. You must then shift and tilt the canvas many times over for the paint to flow uniformly over it. The final result will be determined by your tilting techniques.

Bottle Bottom Puddle Pour / Flower Pour

To create a flower-shaped pattern on the canvas from the base of a PET bottle, you must use an acrylic pour technique that requires you to apply color to the canvas from the bottom of a bottle. The raised region of the bottle’s base may form a design that resembles a flower. You may also change the final pattern by tiling the canvas after it is finished.

Combine the three colors of acrylic paint, the medium, and water in separate containers. Because no silicone is required for this technique, cells are not employed.
To prevent the flower design from consuming the entire canvas, add a base color layer. This will also aid in the paint’s complete absorption onto the surface.
To ensure that the canvas is level, use a spirit level to keep the pattern you’re applying from spreading.
To cut the bottom from a PET bottle, utilize a pair of scissors or a utility knife.
Invert the bottom of the plastic bottle over a canvas and then, one at a time, pour each color in slowly to make a rainbow effect.
When the paint is sprayed over the bottle’s grooves, it will spread out and produce a floral pattern on the canvas.
Remove the PET bottle from the canvas with care after determining that the resultant design is acceptable.
Now that you’ve removed the bottle, you may concentrate on filling in the hole where it previously stood.
Paint a few highlights of color in the space using a fine-haired brush, working towards the canvas’s edges or toward the center.
Tilt the canvas to alter and distort the picture to your liking.
In this case, only one bottom bottle pour is required.

Tree Ring Pour / Swirl Pour

Swirl pouring is a technique of fluid painting that generates a pattern that resembles tree stump growth rings. This happens when the paint is applied with attention in a circular motion.

In a 1:1:<1 ratio, mix each hue with a pouring medium and water.
Pour each color into the same container in turn.
Pour the paint from the container very gradually and evenly on the canvas in a sweeping, concentric, and circulated motion to give the impression of tree growth rings.
The canvas must then be tilted back and forth several times to ensure that the “growth rings” cover its entire surface.

Wing Pour

This approach, known as the wing pour, is a variation of the swirl pour that creates a pair of wings instead of tree rings. This discovered method is suggested for an intermediate-level user with prior experience using acrylic pours.

In a mixing ratio of 1:1:<1, combine each color with a pouring medium and water.
The most central area of the pouring container will be colored first.
The second color in the combination will be seen outside of the first, within the wings. Re-add your original color choice to the second layer to produce a distinct visual impact.
Pour a different color into the mix, just along the container’s edges, as this is an integral part of the process.
Add another hue to the mix, which will outline the wing form.
If you want to use a different color, add another dash of the primary hue to the mixture.
Pour the paint mixture into the center of the canvas in a smooth, even flow starting from the closest edge. The angle at which you lift the canvas drives paint away, shaping the wings’ form. This method will require practice to become more instinctive.
To visually separate the pair of wings, move the container towards you as you pour to the canvas’s edge.

You should now have a completed wing pour design. Because this is one of the more difficult acrylic pours, it might take some practice to master the technique.

Swipe Technique

The fluid painting approach, also known as the swipe or wiping technique, may be utilized alone or in conjunction with other paint pouring methods. This method causes fluid color designs and makes the cells seem more vivid. To do so, a spatula or damp cloth is used to wipe the paint.

Wiping the colors properly necessitates the proper tools. A spatula, painting knives, or even a wet paper towel may wipe away the paint.
Remember to utilize silicone drops with the colors and pour the paint onto the canvas using a puddle pour or flip cup.
Then, using the silicone-free paint mix, apply it to the canvas.
Create cells by dragging colors from one instrument to the next.

Air Swipe / Dutch Pour

The air swipe technique of pouring differs from the swipe method in that only a hairdryer is used during the process. This creates fascinating, ghostly color patterns that resemble smoke.

After the paint is tinted, it is poured into a separate container. The canvas is laid centrally face down in the container and flipped while holding the cup to the paint’s surface.
Allow the container to stand for a few minutes to allow the colors to settle.
Then, apply the contrasting color around the flip cup and the canvas’s edges. If required, utilize a painting knife to ensure that this is smooth and uniform in distribution.
Remove the cover of the wooden frame, take out the glass panel beneath it (carefully), and hang a piece of canvas over it. Repeat until you’ve completed many copies. To ensure that the pattern is well-distributed across the canvas, carefully lift and lower the flip cup several times.
Tilt the canvas to adjust the spread of color if you wish.
To balance the white, use a cold air hair dryer with a concentrator nozzle and spread the paint outward from the center design to combine it with the contrasting color.

Dutch Pour with Lacings / Shelee Art Bloom Technique

The SheleeArt bloom pouring technique is a unique form of Dutch acrylic flows. This approach is seen as quite hard and elite among paint pouring techniques by many artists. A practiced hand, as well as the appropriate application method, are required for successful execution.

With this pouring method, the air spreads the colors over the canvas and partially substitutes for water. It differs from traditional Dutch painting regarding how paint is applied to the surface and the vast range of cells it creates. The complicated lacings are produced using a very complex recipe and different media types.

String Technique

Although it is frequently used in fluid art painting, the string technique is not always a kind of acrylic pour.

Before combining the colors, fill the empty pouring container with several strands of sisal string in loose coils of around 20 to 30 cm in length.
To make a colored plaster, combine the three colors in equal proportions (without water) and then add a pouring medium and water to the ratio of 1:1:<1.
Then, as usual, layer the colors in the pouring container.
You may also combine the colors in separate vessels and apply them to the line with a spatula. This way, it’s simpler to put your shades on the canvas but more challenging to obtain strong color gradients.
A wide range of vivid color paint is currently applied to the surface.
The yarn is stretched out on the canvas, twisting from side to side as each paint-soaked strand is dangled into it.
Remove each strand from the canvas surface after it has been completely dried. The technique they are removed produces exciting patterns, which can be varied as needed.

Chain Pull

This method of tugging the string is identical to that of the string pull, but instead of a rope, it uses a chain. Because the chain’s style or gage influences the outcome, your design will vary depending on what kind of chain you use. Costume jewelry chains, Mardis Gras beads, and pull-and-plug chains are excellent choices for this use.

Balloon Smash

The balloon smash technique is a simple approach that uses only two steps. Apply an initial thin layer to the canvas, followed on by some poured puddles, and then smash a partially inflated balloon into them. This method creates patterns with a floral flavor. Combining this method with other acrylic pour methods such as flip cup and puddle pour to produce various textures and areas of interest in your liquid art painting.

Balloon Dip Pour

The balloon dip pours method is best achieved using a big container with low sides, such as a baking dish, cake or pie pan, a plate, or even a paper plate.

Using a large brush and/or a roller, apply one layer of paint to the canvas in one color. It’s ideal for beginners learning their first time around using this method.
Choose between pouring your colors directly into the container above or dirty pour.
Now, insert an air-inflated balloon into the paint mixture and blot the canvas in various locations.
Repeat the process until you’ve successfully covered the canvas and the painting is finished.

Strainer or Colander Pour

Acrylic pours with a strainer or colander are the most popular by artists. The procedure utilizes a dirty pour instead of painting directly on the canvas, allowing the paint to filter through a colander or strainer placed on the canvas. The color transforms into a kaleidoscopic effect as it passes through the sieve.

When straining or draining the melon, a colander or strainer with larger holes, or even the catchment ring from a citrus juicer, works best. Because the paint is relatively thick, tiny holes prevent the water from flowing freely and cause colors to mingle, resulting in less impact than you may think.

Each color should be prepared separately and poured into the same vessel as when utilizing the dirty pour or flip cup technique.
Allow yourself ample area to create by placing the canvas in the center of your workstation and then setting up the colander in the canvas’s middle. It is feasible to relocate it elsewhere, but keep in mind that this section will become the final design’s central attention point. Moving the colander will have an impact on your overall composition.
Pour the multicolored liquid into the center of the colander.
When you’re finished pouring the paint, carefully raise the colander so that the hues fall onto the canvas.
Once the paint has dried, remove the colander from the surface. To prevent drips from landing on your work, carefully remove them.
The final photograph should be a kaleidoscope of color within a puddle.
When painting a large canvas, first tilt the cloth so that the paint covers it entirely. When painting on a round canvas, angle it towards and away from you before slowly spinning it to ensure complete coverage. You may now begin allowing the paint to run off the edges of the canvas after everything is covered. This may be time-consuming, but don’t rush it since doing so might affect your design.
Keep an eye on the shape and position of your design as you tilt the canvas. It may have altered while you listed, so check to ensure everything is back in its proper place before continuing.
The center of the painted canvas will be colored with a bubble of color surrounded by swirls, dots, and kaleidoscopic regions formed from the colors. Allow time for your design to dry after you’re pleased with it.

Dip

Adhesion is produced between the acrylics and the painting surface using the dipping technique. It’s a straightforward process that works well for novices since, while essential, it generates beautiful and fascinating results.

You’ll need a solid, clean surface to pour the paint for this method. A work table covered with sheets of plastic is perfect for this purpose.
Begin pouring your paint over the plastic-covered surface using any of the basic acrylic pour techniques discussed above. Make sure the surface area of the canvas you’re using is larger than the plastic-covered surface area.
Turn the canvas over and paint it. Place it firmly for a few seconds to ensure that the paint adheres properly to the surface of the canvas.
When the painting is entirely wet, apply a thin coat of varnish to seal it. To prevent the colors from mixing, continue dipping until the canvas is sufficiently covered.

Reverse Dip

As the name suggests, the reverse dip method is a straightforward reversal of the dipping technique. The paint is applied to the canvas in contrast to dipping it. A contact layer is then applied over the canvas to simulate the suction effect attained by dipping.

Injection Pour

The term “injection pour” refers to a method of painting that involves pouring paint gradually over an area using a squeeze bottle. This technique applies paint to the canvas using one of the previously mentioned techniques, then layers a specific color, typically white, beneath it using a squeeze bottle. The image can be tilted and stretched as desired afterward.

Blob Painting

This is a one-of-a-kind method for applying paint since you must keep the paint moving during or after application. Blobs of various colors enable you to build up layers of paint and create a design with actual depth.

Fractal Dendrites

A flower-like design is created through this advanced technique, which is what the fractal dendrites look like. A film-coated with alcohol droplets is used to produce a color combination. The intended visual effect is then achieved by spreading it out from the center area. This process isn’t difficult to do.

Wreck-a-Ring Pour

The term “wreck-a-ring” comes from the fact that this pouring method deviates from the tree ring pour to provide far greater depth. After completing the tree ring technique but before tilting the canvas, use an implement (your finger or a dowel stick, whatever you have access to) to make fine, evenly distributed lines through the paint. These lines will generate textured patterns in the picture after you’ve tilted it.

Ghost Pour

A ghost pour is a less-common form of swipe pour in which different hues are layered along the center of the canvas over a thinly applied base coat. The picture is then swiped outward from the middle, parallel to the color rows, towards the canvas’s perimeter. Typically, more than one swipe travels across the center, resulting in a mirrored appearance to

Begin by applying a fluidly mixed color as a base coat to the canvas.
Begin layering different complementary colors horizontally across the canvas.
Use a spatula or a damp paper towel to wipe the paint from the center of the canvas inwards and outwards, pulling towards yourself.
Instead, add some of the thin base coat colors horizontally into the middle of the canvas before swiping over the colors.
More expansive paintings are better suited to the ghost acrylic pour approach.
Silicone oil, in particular, is helpful for cell rejuvenation.

Wave Pour

The wave approach of pouring is a purposeful pouring style and a variation on the swipe pour. This visual effect is produced by applying colors in a wave-shaped pattern to the canvas. You may then swipe across the colors from either side of the wave’s peak or the edge of the horizon. Your starting point can be on either side, with the objective being to simulate a swiping motion similar to that of the wave. Keep in mind that white should be used for the foam since it gives depth.

To begin, combine each color you want to include in your design. We’ve had good results with silver, white, dark blue, sea green, and light blue, but you should experiment with different color combinations.
After you’ve combined the colors, start pouring streams of each color (except white) to make the desired form of the wave. The state also looks like a Nike logo. Allow the hues to bleed and combine.
After that, use white to cover the back of the wave shape, painting over the edges.
Using a brush, paint a thin layer of color all the way up the wave with care to avoid color mixing. If necessary, this procedure may be repeated to ensure that the swipe covers the length of the wave.
Turn the wave’s motion into white by sliding it into white. The foam or whitewash in the lock is produced by wiping the white toward the wave and then reversing directions.
The combined color must not be used excessively since this will dull the photo’s brilliant contrast.

Starburst Swipe

A starburst swipe is a pour in which the color layers are built concentrically, starting from the middle out. The effect is created by sweeping tiny regions from the center toward the canvas’s edges.

We hope that this tutorial will help you produce incredible acrylic pouring results. Each of these paint pouring methods may be successfully used together to create a variety of fantastic outputs. Make bold moves and play around since each of your pieces will have its own distinct flavor.